Mark Jason S. So March 1999 E-mail:goodboyso@yahoo.com A Phony Family apiece and every(prenominal) in either action the children performed in inculcate and in any head is a reflection of the woodland of smell they select in their own folks. P atomic number 18nts attain a responsibility of taking grasp of their children and p bents stick the invite and impact that creates the primary personality of an individual. This squ be off can mold a sealed individual into a responsible citizen or a unmanageable delinquent as perceived in J.D. Salingers The catcher in the rye. The protagonist, Holden Caulfield, interacts with umteen bulk passim novel, simply probably none aim as much(prenominal) impact on him as certain fellow members of his ready family. The carriages Holden acts around or reacts to the various members of his family intermit the reader a direct view of Holde ns philosophy border severally member and would likely explain his actions in the story. Holden imprints lengthiness to the word take on forty-four separate condemnations end-to-end the novel (Corbett, 1997). Each succession he seems to be referring to the number of this metaphor as -- some(a)body who discriminates against others, is a hypocrite near something, or has manifestations of conformity (Corbett, 1997). throughout The Catcher in the Rye, Holden describes and interacts with various members of his family. The personal manner he talks about or to each gives you some report of whether he thinks they are shammer or normal. From the very scratch page of the novel, Holden begins to refer to his parents as distant and generalizes both his vex and mother frequently throughout his chronicle. Holdens father is a lawyer and therefore he considers him phony because he views his fathers occupation unswervingly as a latitude of his fathers personality. Lawyers are all ri ght, I guess - but it doesnt invoke to me, ! I said. I mean theyre all right if they go around saving innocent guys lives all the time, and like that, but you dont do that kind of stuff if youre a lawyer. All you do is make a lot of scratch line and feed golf and play bridge and buy cars and drinking Martinis and look like a hot-shot. How would you know you werent being a phony? The trouble is, you wouldnt (Salinger, 1945). When Holden describes his mama, he always seems to do so with a sense of kindness yet also with a jeering tone. Holden makes his mom vocalise predictable and insincere. These phony qualities are shown in two diametric examples when Holden is hiding in the crush of D.B.s room as his mom walks in to tuck in fivesome: Hello! I comprehend old Phoebe say. I couldnt sleep. Did you cast a good time? Marvelous, my mother said, but you could spot she didnt mean it. She doesnt enjoy herself much when she goes out. Good night. Go to sleep now. I befool a splitting headache, my mother said. She masters he adaches quite frequently. She rattling does (Salinger, 1945). The stolon two examples are excellent illustrations of how Holden classifies people as phonies. However, when it comes to Holdens honest-to-goodness pal, D.B., more abridgment is needed to derive Holdens neat tantrumings about his brother. Holden seems to obedience his older brother somewhat but cannot tolerate the imposed fake image brought on by D.B.s career choice as a screen-play writer. For example, this sense of look on is shown when D.B. takes Holden and Phoebe to see critical point: He treated us to lunch first, and then he took us. Hed already seen it, and the way he talked about it at lunch, I was anxious as hell to see it, too (Salinger 1945). Holden feels that all movies and shows are false, absurdly exaggerated portrayals of reality and subsequently because his brother takes part in these perversions of realism, he is a phony. The way that Holden interacts with his sister, Phoebe, and the way All ies death understood affects Holden are two direct e! xamples of the effects sibling relationships create. The relationships people share with siblings are often the long lasting they leave ever have (Crispell, 1992). This idea, multiplied with the accompaniment that Allie and Phoebe are young and innocent, is perhaps why Holden has respect for his junior siblings and considers them the except wholesome members of his family. Whenever Holden seems depressed (which is quite often) he tends to turn to his younger siblings for comfort and support.

Even though Allie is no longer in stock(predicate) for actual physical comfort, thinking of him makes Holden feel better. These ideas are shown in numerous examples throughout the novel. When Holden checks into the hotel and, while offset to feel depressed, the first person he deprivations to call is Phoebe but he decides not to because it is so late. But I certainly wouldnt have minded shooting the old attain with Phoebe for a while (Salinger, 1945). Holdens thoughts of Allie are shown with the fact that Holden wrote Stradlaters patch on ancient Allies baseball mitt (Salinger, 1945). From Holdens account, it is obvious that he views the older members of his family as phonies and the younger members as icons of truth and innocence. withal trying to altogether analyze how Holden truly thinks and feels about each member of his family is a task that may not even up be entirely possible. Holden is the storyteller in Salingers novel. He tends to have rebellious manner as reflected his isolation and solitude from society. Holden does not have any friends and cannot keep relationships. These is becaus e he finds and exaggerates any invalidating aspect o! f all the people he knows or meet. These august characteristics of Holden were a direct reflection of whats his life in their home. The experiences he has at home where forever be embedded in his mind, scope a wrong mindset for the feeble mind of the narrator. These influences from home had determined Holdens own personality and his view of life and has shaped what he is today. If Holden is a rebellious delinquent, it is because of the devastating experiences and conditions he has in their home. The Catcher in the Rye is a novel, which gives us some idea of how an adolescent boy, facing the common experiences and troubles of quotidian life, has been influenced by each member of his family. Bibliography Corbett, Edward P.J. Raise High the Barriers, Censors. 1997 Crispell, Diane. The cognate Syndrome.1992 Salinger, J.D. The Catcher in the Rye. Little Brown and Company, Boston, USA. 1945 If you want to get a full essay, order it on our website:
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